Today, I have been listening to a performance I taped in 2005 of Tobias Picker’s opera An American Tragedy, which is based on the Dreiser novel.
The opera is not available for sale in any format: CD or digital.
I found one or two excerpts on YouTube.
The opera got generally favorable (some very much so, some lukewarm) reviews.
It premiered in 2005 at the Metropolitan Opera. There was a follow up production in 2014 by the Glimmerglass Festival in Cooperstown, NY of a revised version (by Picker) of the opera.
I attended both the 2005 (Met Opera) and the 2014 (Glimmerglass) productions. I did not think the revised version was an improvement — I could not see the logic behind it — and noted that some of the best sections had been eliminated.
I offered to share my taped version with a very few Dreiser scholars. One was very appreciative. Others, English professors, said they had no interest in opera.
I am not an opera connoisseur. The work is uneven, I would say. But there is much beautiful music, some exquisite passages: for example the opening duet between the young Clyde and his mother, the hymn, and the scene where the libretto is based on Roberta Alden’s letters.
Picker’s opera seems to have been overlooked. I am sure that the fact of there being no available recording has to do with the Dreiser Trust.
— Roger W. Smith
September 2019
Roger — I saw the opening night of Picker’s opera. I was excited to go, but ended disappointed. I thought he missed some chances for good theater. Roberta had the best music as I remember. He somehow missed the craggy power of the book.
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Tom — looking at your comment again just now, I like your phrasing: “the craggy power of the book.” This is so descriptive and so on target.
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