A while ago, I was contemplating writing an article on the sources of Theodore Dreiser’s An American Tragedy. In my research, I came across a master’s thesis which was listed in Pizer, Dowell, and Rusch’s Dreiser bibliography.
I decided to look the thesis up because it was at Columbia University (accessible to me, since I live in New York City) and because the title intrigued me. It was by Thomas Kranidas and is entitled “The Materials of Theodore Dreiser’s An American Tragedy” (Master’s thesis, Columbia University, 1953, 94 pp.).
I read the thesis at Columbia. It wasn’t really an investigation of the sources of An American Tragedy, but it was mainly focused on that novel. It included consideration to a limited extent of other works of Dreiser — e.g., his poetry and essays — that pertained to the author’s argument.
This thesis is, in my opinion, excellent — very penetrating. It is one of the best analyses I have ever read of Dreiser as a writer and muddled thinker, and someone with pretensions to intellectual and social stature that can be detected in his writings. It is for the most part critical of Dreiser, but I think it is one of the best analyses of him I have ever read. It gets under Dreiser’s skin and “nails” him. Nonetheless, the author, Thomas Kranidas, is appreciative of the strengths of An American Tragedy.
The thesis is here made available for the first time. I took it upon myself to photocopy the entire thesis and obtained permission from Professor Kranidas to post it on this site. It is posted above as a downloadable PDF file.
— Roger W. Smith
email from Roger W. Smith to Thomas Kranidas, April 25, 2017
Dear Professor Kranidas,
Following up on our conversation today, a few thoughts about your master’s thesis.
I read it at Butler Library. It is available nowhere else, I believe. (It was not available and was irretrievable until I copied and scanned it and posted in on my Dreiser site.)
My basic reaction, gut feeling was that (1) it was an M.A. thesis, not a dissertation; (2) it was not based on exhaustive research into the sources of An American Tragedy (which was not your objective).
Nevertheless, I felt that it was one of the best statements I have read about Dreiser qua writer; Dreiser the self-styled “philosopher”; and Dreiser the social climber who yearned for what he professed to disdain.
You “nailed” him … got under his skin. Analyzed, penetratingly, his weaknesses as a writer and the shortcomings of his worldview … his pretensions, his myopia when it came to writing about the privileged classes.
While at the same time appreciating his strengths, and steering clear of a hatchet job.